Informative article on the cross-cultural influence of capoeira and [break dancing](http://en.wikipedia.org/wiki/Breakdancing):

> Hollow back to a head spin into a leg sweep, followed by some old, next-type floor work. Slick’s fast moves all seem like a routine he choreographed with his boy who moves in perfect sync with him. The music that accompanies what seems like an impromptu battle isn’t Hip Hop, and despite a few recognizable moves, these guys definitely aren’t breaking—they’re playing capoeira.

* [Read the rest of this article](http://www.wiretapmag.org/stories/87)

An insightful article on stringing up and playing the [Berimbau](http://en.wikipedia.org/wiki/Berimbau):

> The Berimbau is the main instrument of Capoeira. It is held and played by the Mestre to command the Capoeira game, or jogo, during a Capoeira roda. There are distinct rhythms played that dictate the game to be played by the participants. Although it is seemingly a simplistic and primitive looking instrument, the sounds it creates is complex in both tonality and rhythm.

* [Read the full article](http://www.rollomollo.de/tonques%20berimbau/tonques%20berimbau1.htm)